In my search for information on Li Xuying and the National Beijing Art Academy, I came across this 2016 publication titled Proceedings of the Symposium on ‘The National Beiping Art Academy and Art of the Republic of China’. This book is a compilation of research findings on the historical connection between the National Beijing Art Academy and Art of the Republic of China and the art of the Republic of China era. It gathers the academic achievements of over thirty scholars specializing in the history of modern and contemporary art. The book covers a range of topics from the historical development of the National Beijing Art Academy and Art of the Republic of China, its teaching methods, and its influence on traditional and modern Chinese art education, to in-depth discussions on individual artists such as Xu Beihong and Qi Baishi, exploring their artistic careers and stylistic approaches. The articles in this book focus not only on the history and development of the art school but also include investigations into the Beijing art circles during the Republic of China period, the evolution of Western and traditional Chinese painting education, and the historical details and cultural contexts within art works. This collection of papers is a valuable resource for art historians, students, and readers interested in the history of modern and contemporary Chinese art. It offers rich historical data and in-depth academic analysis, aiding in the understanding of the diversity and complexity of Chinese art during the Republic of China era. Furthermore, for experts studying the history of Chinese art education and related artistic movements, this book is an indispensable reference. Below is a list of the papers included in the book:⠀
- “Historical Revision in the Golden Age: Is the Academy’s History Ready?” by Pan Yaochang.
- “Several Issues in the Historical Evolution Research of the National Beiping Art Acdemy and Art of the Republic of China” by Peng Fei.
- “The National Beiping Art Academy and the Art Scene of Beijing in the Republic of China” by Peng Fei.
- “Two Historical Events of the National Beiping Art Academy and Art of the Republic of China” by Liu Xilin.
- “Historical Research on the National Beijing Art Academy During the Occupation Period: A Case Study of Fu Jiazhen’s Student Records” by Shen Ning.
- “A Preliminary Exploration of Zheng Jin’s Life in Japan” by Chen Jichun.
- “Xiao Junxian, Head of the Traditional Chinese Painting Department of the National Beiping Art Academy” by Lang Shaojun.
- “Artist Life and Teaching Career: Qi Baishi and His Past at the National Beiping Art Academy” by Zhang Tao.
- “Inverted History: Investigation and Research on the Dismissal of Three Professors from the National Beiping Art Academy and the Controversy Over Traditional Chinese Painting” by Zhu Jingsheng.
- “Xu Beihong in 1949” by Hua Tianxue.
- “War Difficulties Yield Good Results, Art Shines Brightly: The Art Career and Donation Details of Sazaki Chiyoeji” by An Yongxin.
- “Yan Xiu and His Son and Their Contribution to Modern Chinese Art Education” by Zhang Peng.
- “A Preliminary Exploration of the Evolution of Chinese Painting Education in Republican Beijing” by Cao Qinghui.
- “Discussion on Chinese Painting Teaching at the National Central University’s Normal School Department of Art” by Wan Xinhua.
- “the National Beiping Art Academy and Its Influence on the Development of Sculpture in the Republic of China: The Events and Their Profound Significance” by Liu Libin.
- “Plaster Teaching Aids in Early Fine Arts Education” by Kong Lingwei.
- “Practicality and Aesthetics: The Pattern Design Discipline at the National Beiping Art Academy” by Yin Shuangxi.
- “The National School of Fine Arts in Beijing and the Beginning of Modern Design Education in China: A Knowledge Examination Centered on the ‘Pattern Method Lectures’ of the National School of Fine Arts in Beijing” by Zhou Bo.
- “Early ‘Beijing Model’ Pattern Education Research in the Republic of China” by Li Zhonghua.
- “The Revival Movement of Traditional Chinese Painting, the National Art School in Beiping, Qi Baishi and the Construction of New Chinese Painting” by Chu Ruilin.
- “Art Gaining Realistic Expression and Historical Narrative: A Re-Examination and Understanding of Xu Beihong’s Formal Exploration in the Early Republican Period” by Mo Ai.
- “Xu Beihong’s Realism and the Transformation of New Chinese Painting” by Li Gongming.
- “‘New Chinese Painting’: Xu Beihong and the Emergence of ‘New Writers'” by Wu Xueshan.
- “Zhang Xian and the National Beiping Art Academy: The Issue of Resource Integration in Modern Chinese Art” by Li Chao.
- “From National to Central: Discovering the Northern Route and Central Pattern of Early Western Painting Evolution in China” by Liu Xin.
- “Historical Details in Painting: From Two Portrait Paintings by Li Yishi and Others” by Zheng Gong.
- “Replacing ‘Righteousness’ with ‘Benevolence’: ‘Memories of Chen Shilang’s Calligraphy and Paintings’ and Pu Xinshe’s ‘Remnant Imagination'” by Hang Chunxiao.
- “Mirror Images of Friend and Foe: The Huanghelou Great Wall Painting and the Sino-Japanese Propaganda War: Discussing Wang Shigu’s ‘Wuhan Great Wall Painting Draft’ from the Collection of the Central Academy of Fine Arts Museum” by Cai Tao.
- “Seeking Self-Identity: Reading Sun Zongwei’s Works and Life” by Wu Hongliang.
- “A Group of Unforgettable Historical Images: Graphic Designers and Events in the Early Revolutionary Activities of the Chinese Communist Party” by Xu Ping, Zhang Fumei.
- “Mainstream, Main Line and Others: Thoughts on Western Paintings of Beiping School of Fine Arts in the Collection of the Central Academy of Fine Arts” by Cao Qinghui.
- “Fragments of Painting and the Evolution of Painting Studies: Focused on the ‘Exhibition of Fine Selections from the National Beiping Art Academy (Chinese Painting Section)’ at the Central Academy of Fine Arts Museum” by Cao Qinghui.
- “Tracing the Source and Delving into the Past: Summary of the Academic Seminar on ‘The National Beijing Art Academy and the Republic of China Art'” by Cong Tao.
北京 : 人民美術出版社, 2016
我在探寻李旭英和北平艺专信息的过程中，发现了这本2016年出版的《“北平艺专与民国美术”学术研讨会论文集》。此书是对“北平艺专与民国美术历史渊源”这一课题研究成果的集结。汇集了三十多位近现代美术史学者的学术成果, 这本书涵盖了从国立北平艺专的历史沿革、教学方法、对中国传统及现代美术教育的影响，到个别艺术家如徐悲鸿、齐白石的艺术生涯和作品风格的探讨。书中的文章不仅聚焦于艺术学校的历史和发展，还包括了对民国时期北京画坛的考察、西画和国画教育的发展，以及美术作品中的历史细节和文化背景。这本论文集是艺术史学者、学生及对中国近现代美术史感兴趣的读者的宝贵资源。它提供了丰富的历史资料和深入的学术分析，有助于理解民国时期中国美术的多样性和复杂性。此外，对于研究中国艺术教育史及相关艺术流派的专家来说，这本书是不可或缺的参考资料。以下为书中收集的论文目录：
- 盛世修史 : 美院校史准各好了吗 / 潘耀昌.
- 国立北平艺专历史沿革研究中的几个问题 / 彭飞.
- 国立北平艺专与民国北京画坛 / 彭飞.
- 北平艺专史事二则 / 刘曦林.
- 沦陷时期国立北京艺术专科学校历史研究刍议 : 以富家珍学籍档案为例 / 沈宁.
- 郑錦日本生涯初探 / 陈继春.
- 北京艺专国画系主任萧俊贤 / 郎绍君.
- 画家生活与教授生涯 : 齐白石与国立北平艺专过往考略 / 张涛.
- 被顛倒的历史 : 国立北平艺专三教授罢教与国画争论事件考察与研究 / 朱京生.
- 徐悲鸿的一九四九 年 / 华天雪.
- 战难收善果, 艺好灿奇葩 : 矢崎千代二的艺术生涯及捐画始末 / 安永欣.
- 严修父子与中国近现代美术教育 / 张鹏.
- 民国北京中国画学教育体系演进初探 / 曹庆晖.
- 也谈国立中央大学师范学院艺术学系的中国画教学 / 万新华.
- 国立北平艺专之于民国雕塑的发展 : 事件发生以及其深屋意义 / 刘礼宾.
- 以石膏教具看早期美木教育 / 孔令伟.
- 实用与审美 : 国立北平艺专的图案学科 / 殷双喜.
- 北京美术学校与中国现代设计教育的开端 : 以北京美术学校《图案法讲义》为中心的知识考察 / 周博.
- 民国早期”北京模式”之图案教育研究 / 李中华.
- 国画复活运动·国立北平艺专· 齐白石与新中国画的建构 / 除瑞林.
- 艺术获得现实表达与历史叙述的可能 : 对徐悲鸿民国前期形式探索的再观看与理解 / 莫艾.
- 徐悲鸿的写实主义与新中国画改造 / 李公明.
- “新国画” : 徐悲鸿与”新兴作家”的出场 / 吴雪杉.
- 张弦和北平艺专 : 中国近现代美术的南北资源复合问题 / 李超.
- 从国立到中央 : 中国早期西画演进的北方路线及中心格局的再发现 / 刘新.
- 绘画中的历史细节 : 由李毅士两幅肖像画及其他 / 郑工.
- 以”仁”代”义” : 《忆陈侍郎书画合卷》与溥心畲的”遗民想象” / 杭春晓.
- 敌我的镜像 : 黄鹤楼大壁画与中日宣传战 : 以中央美术学院美术馆藏王式廓《武汉大壁画草稿》谈起 / 蔡涛.
- 求其在我 : 读孙宗慰的作品与人生 / 吴洪亮.
- 一组不能忘记的历史影像 : 中共早期革命活动中的平面设计人和事 / 许平, 张馥玫.
- 主线、 主流及其他 : 看中央美木掌院藏北平艺专西画作品想到的 / 曹庆晖.
- 丹青碎影里的画学流变 : 以”中央美术学院美术馆藏北平艺专精品陈列 (中国画部分)”为对象 / 曹庆晖.
- 追源溯流, 钩沉往事 : “国立北平艺专与民国美术”学术研讨会综述 / 丛涛.